Kira_Voronova

LIKE SUMMER

Series: RAIN MOOD

Artist: Kira Voronova

Medium: Oil on canvas

Size: 100 × 70 cm

Style: Abstract Expressionism

Canvas: Stretched on wooden stretcher, unframed

Color Palette: Cool and warm tones merge — soft blues, ivory, sand beige, and pale gold are accented by delicate pops of coral, amber, and sky blue. These hues evoke both sunlight and rainfall, wrapped in a gentle urban haze.

Theme: Urban rhythm, nostalgia, transience, atmosphere, memory of light

Concept: This painting captures the fleeting essence of a summer rain — a quiet moment where warmth and melancholy meet. The city fades into abstraction as textures echo movement and stillness simultaneously. Architecture becomes emotional terrain; lines suggest streets, windows, and reflections, yet nothing is literal. The painting invites viewers to pause, absorb the light, and feel time stretch and dissolve.

Signature: Signed on the back of the canvas

Technique: Executed with palette knife and expressive brushwork, the surface reveals intricate layering of translucent and opaque textures. Drips and fine scratches bring rhythm and depth, while controlled vertical strokes simulate the gentle cascade of rain. Transitions between color fields reflect the changing light of a summer afternoon.

Year: 2024

LIKE SUMMER

Like Summer” immerses the viewer in the blurred memory of a warm rain shower falling over a reflective city. Vertical textures emulate rainfall and movement, while soft pastel hues glow like distant sun rays breaking through humid clouds. The painting's layered surface shimmers with subtle transitions, evoking light filtered through droplets on glass. It's both expansive and intimate — a cityscape reduced to sensation, where architecture dissolves into emotion. There’s no clear horizon, only the sense of being suspended in time, mid-season, mid-thought. The viewer is invited to feel rather than analyze, to remember rather than identify. This piece is a study in fleeting beauty — atmospheric, abstract, and deeply human.

LIKE SUMMER

Like Summer” immerses the viewer in the blurred memory of a warm rain shower falling over a reflective city. Vertical textures emulate rainfall and movement, while soft pastel hues glow like distant sun rays breaking through humid clouds. The painting's layered surface shimmers with subtle transitions, evoking light filtered through droplets on glass. It's both expansive and intimate — a cityscape reduced to sensation, where architecture dissolves into emotion. There’s no clear horizon, only the sense of being suspended in time, mid-season, mid-thought. The viewer is invited to feel rather than analyze, to remember rather than identify. This piece is a study in fleeting beauty — atmospheric, abstract, and deeply human.

LIKE SUMMER

Like Summer” immerses the viewer in the blurred memory of a warm rain shower falling over a reflective city. Vertical textures emulate rainfall and movement, while soft pastel hues glow like distant sun rays breaking through humid clouds. The painting's layered surface shimmers with subtle transitions, evoking light filtered through droplets on glass. It's both expansive and intimate — a cityscape reduced to sensation, where architecture dissolves into emotion. There’s no clear horizon, only the sense of being suspended in time, mid-season, mid-thought. The viewer is invited to feel rather than analyze, to remember rather than identify. This piece is a study in fleeting beauty — atmospheric, abstract, and deeply human.

LIKE SUMMER

Like Summer” immerses the viewer in the blurred memory of a warm rain shower falling over a reflective city. Vertical textures emulate rainfall and movement, while soft pastel hues glow like distant sun rays breaking through humid clouds. The painting's layered surface shimmers with subtle transitions, evoking light filtered through droplets on glass. It's both expansive and intimate — a cityscape reduced to sensation, where architecture dissolves into emotion. There’s no clear horizon, only the sense of being suspended in time, mid-season, mid-thought. The viewer is invited to feel rather than analyze, to remember rather than identify. This piece is a study in fleeting beauty — atmospheric, abstract, and deeply human.

LIKE SUMMER

Like Summer” immerses the viewer in the blurred memory of a warm rain shower falling over a reflective city. Vertical textures emulate rainfall and movement, while soft pastel hues glow like distant sun rays breaking through humid clouds. The painting's layered surface shimmers with subtle transitions, evoking light filtered through droplets on glass. It's both expansive and intimate — a cityscape reduced to sensation, where architecture dissolves into emotion. There’s no clear horizon, only the sense of being suspended in time, mid-season, mid-thought. The viewer is invited to feel rather than analyze, to remember rather than identify. This piece is a study in fleeting beauty — atmospheric, abstract, and deeply human.

~

CITY IN AMBER

Series: Suspended Dimensions

Artist: Kira Voronova

Medium: Oil on canvas

Size: 80 × 120 cm

Style: Abstract Expressionism

Canvas: Stretched on wooden stretcher, unframed

Color Palette: Warm tones with rich gold-black contrasts and muted urban greys

Theme: Urban architecture, rhythm, stillness, illumination, temporal flow

Concept: The painting explores a moment of inner stillness within a dense, shifting urban environment. Structures are not portrayed as mere objects, but as emotional vessels — metaphors for psychological states suspended in time and space.

Signature: Signed on the back of the canvas

Technique: Palette knife and brushwork with layered textures and light transitions

Year: 2022

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

CITY IN AMBER

CITY IN AMBER presents a panoramic vision of a city caught in the glow of sunset haze. The golden light bathes the skyline, softening its geometry and stretching its edges into a dreamlike shimmer. Below, the water mirrors the city’s form with slight distortion — as if the urban presence is dissolving into reflection. The atmosphere is suspended between stillness and motion, where time feels slowed and space expands. This duality of structure and softness captures the poetic dissonance of human-made environments. The work belongs to the Suspended Dimensions series, which explores spatial ambiguity, emotional architecture, and the resonance of light.

~

MELANCHOLY

Series: RAIN MOOD

Artist: Kira Voronova

Medium: Oil on canvas

Size: 100 × 70 cm

Style: Abstract Expressionism

Canvas: Stretched on wooden stretcher, unframed

Color Palette:A rich interplay of deep graphite blues, soft charcoals, and pale, luminous amber tones.

Theme:Stillness, solitude, inner reflection, atmospheric melancholy, the slow passage of time.

Concept:Melancholia captures a suspended moment within the emotional architecture of the self. The painting suggests a quiet inner rainfall, where every vertical streak marks a thought falling through memory.

Signature:Signed on the back of the canvas.

Technique:Oil on canvas using palette knife and brushwork.

Year: 2024

MELANCHOLY

Melancholia (series RAIN MOOD) evokes the hush of an autumn evening soaked in rain — not as weather, but as an atmosphere of the soul. Golden drips break through the veil of slate and ash, like memories trying to reach the surface. The painting breathes with quiet rhythm; it’s slow, but never still. Vertical lines descend like thoughts we never finished, gently smearing past and present together. It’s a portrait of emotional twilight — honest, bare, and tender in its descent. The surface is built with vertical textural movements, alternating dense and translucent strokes to mimic both rainfall and layered emotion. The glossy texture and tonal subtleties echo the mood of early dusk after rain. Gold flecks shimmer quietly through the misty layers, evoking fading autumn light reflected on wet surfaces. Light pierces the gloom gently — not to illuminate, but to accompany the silence. The blurred city disappears, and all that remains is feeling. It is not a landscape but a distilled mood, rendered in shadows.

MELANCHOLY

Melancholia (series RAIN MOOD) evokes the hush of an autumn evening soaked in rain — not as weather, but as an atmosphere of the soul. Golden drips break through the veil of slate and ash, like memories trying to reach the surface. The painting breathes with quiet rhythm; it’s slow, but never still. Vertical lines descend like thoughts we never finished, gently smearing past and present together. It’s a portrait of emotional twilight — honest, bare, and tender in its descent. The surface is built with vertical textural movements, alternating dense and translucent strokes to mimic both rainfall and layered emotion. The glossy texture and tonal subtleties echo the mood of early dusk after rain. Gold flecks shimmer quietly through the misty layers, evoking fading autumn light reflected on wet surfaces. Light pierces the gloom gently — not to illuminate, but to accompany the silence. The blurred city disappears, and all that remains is feeling. It is not a landscape but a distilled mood, rendered in shadows.

MELANCHOLY

Melancholia (series RAIN MOOD) evokes the hush of an autumn evening soaked in rain — not as weather, but as an atmosphere of the soul. Golden drips break through the veil of slate and ash, like memories trying to reach the surface. The painting breathes with quiet rhythm; it’s slow, but never still. Vertical lines descend like thoughts we never finished, gently smearing past and present together. It’s a portrait of emotional twilight — honest, bare, and tender in its descent. The surface is built with vertical textural movements, alternating dense and translucent strokes to mimic both rainfall and layered emotion. The glossy texture and tonal subtleties echo the mood of early dusk after rain. Gold flecks shimmer quietly through the misty layers, evoking fading autumn light reflected on wet surfaces. Light pierces the gloom gently — not to illuminate, but to accompany the silence. The blurred city disappears, and all that remains is feeling. It is not a landscape but a distilled mood, rendered in shadows.

MELANCHOLY

Melancholia (series RAIN MOOD) evokes the hush of an autumn evening soaked in rain — not as weather, but as an atmosphere of the soul. Golden drips break through the veil of slate and ash, like memories trying to reach the surface. The painting breathes with quiet rhythm; it’s slow, but never still. Vertical lines descend like thoughts we never finished, gently smearing past and present together. It’s a portrait of emotional twilight — honest, bare, and tender in its descent. The surface is built with vertical textural movements, alternating dense and translucent strokes to mimic both rainfall and layered emotion. The glossy texture and tonal subtleties echo the mood of early dusk after rain. Gold flecks shimmer quietly through the misty layers, evoking fading autumn light reflected on wet surfaces. Light pierces the gloom gently — not to illuminate, but to accompany the silence. The blurred city disappears, and all that remains is feeling. It is not a landscape but a distilled mood, rendered in shadows.

MELANCHOLY

Melancholia (series RAIN MOOD) evokes the hush of an autumn evening soaked in rain — not as weather, but as an atmosphere of the soul. Golden drips break through the veil of slate and ash, like memories trying to reach the surface. The painting breathes with quiet rhythm; it’s slow, but never still. Vertical lines descend like thoughts we never finished, gently smearing past and present together. It’s a portrait of emotional twilight — honest, bare, and tender in its descent. The surface is built with vertical textural movements, alternating dense and translucent strokes to mimic both rainfall and layered emotion. The glossy texture and tonal subtleties echo the mood of early dusk after rain. Gold flecks shimmer quietly through the misty layers, evoking fading autumn light reflected on wet surfaces. Light pierces the gloom gently — not to illuminate, but to accompany the silence. The blurred city disappears, and all that remains is feeling. It is not a landscape but a distilled mood, rendered in shadows.

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